We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884–1915.
Presented by:
Frank and Joan Dawson
Michael J. and Mary Anne Freeman
Robert Raiford and Zane Rhoades




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Faculty & Staff
Faculty
Dr. Megan Lewis, Professor Chair
Valerie Accetta, Associate Professor Head of Musical Theatre Performance
Kelly Allison. Professor Emeritus
Therrin J. Eber, Assistant Professor Head of Design & Technology/Production
Manager Mona Eldahshoury, Assistant Professor Theatre and Acting
Jennifer Glass, Assistant Professor Technical Director
Ward Haarbauer Professor Emeritus
Karma Ibsen. Professor Emeritus
Karla Koskinen, Professor Acting/Directing
Roy Lightner, Associate Professor Musical Theatre Performance/Dance
Amy Page, Assistant Professor Costume Director
Jonathan K. Parks, Assistant Professor Musical Direction
Kimberly Schnormeier, Associate Professor Costume Design/Associate Chair
Lee Shackleford, Professor Playwriting
Kelley Schoger, Assistant Professor Head of Performance/Acting
Santiago Sosa, Assistant Professor Voice/Movement
Vasssela Warner, Professor Theatre History
Will York Professor Emeritus
Adjunct Faculty
Carlon Alexandra. Intro to Dance/Tap
Elizabeth Makrokanis Jazz
Mary Margaret Scalici. Ballet
Staff
Brian S. Ernsberger Program Manager/Tour Coordinator
LaShawn Grubbs Administrative Associate
Inji Ha. Properties Studio Supervisor & Props Designer
Jonathan Harder Asst. Technical Director & Scenic Shop Supervisor
Sarah Mayhew Recruitment Coordinator
Sharon Morgan. Costume Studio Supervisor & Cutter/Draper
David Page Stage Electrics Coordinator
Carolyn Violi. Accompanist & Vocal Coach
Written by:
Jackie Subblies Drury
Directed by:
Mona Eldahshoury
Stage Manager:
Alexander DeWolfe
Production Team
Written by: Jackie Subblies Drury
Directed by: Mona Eldahshoury
Stage Manager: Alexander DeWolfe
Music Director: Jonathan K. Parks
Intimacy Director: Kelley Schoger
Scenic & Properties Design: Inji Ha
Costume Design: Kimberly Schnormeier
Lighting Design: Therrin J. Eber
Sound Design: David Page
Voice and Text Coach/Fight Choroegrapher: Santiago Sosa
Assistants to the Director: Ola Ajigbeda, Katelyn Douglas
Dramaturg: Andrew Gleason
Produced through special arrangement with Dramatic Publishing
Wundercast
Jared Owens: Actor 1
Lily Faith Cameron: Actor 2
Andrew Gleason: Actor 3
Kazarious Brown: Actor 4
Arianna Mendoza-Corona: Actor 5
Isabella Newton: Actor 6
Wunderstudies
Patrick Eamon Wilson: Actor 1
Kimahri Sanders: Actor 4
Sarah Thiel: Actor 5
Setting: Alabama
2026
Director's Notes
At the center of We Are Proud to Present… is the history of the Herero and Nama peoples of what is now Namibia, and the genocide perpetrated against them under German colonial rule in the early twentieth century. Yet playwright Jackie Sibblies Drury does not simply recreate this history for us. Instead, she places six American actors in a re-hearsal room and asks us to watch them struggle with the seemingly simple task of telling someone else’s story. It
is a group of people discovering, in real time, how difficult it is to represent another person’s history when the very act of representation inevitably shaped through their own assumptions, identities, and perspectives.
That struggle is at the heart of this play.
We live in a world where stories cross borders constantly. We encounter histories through photographs, books, films, classrooms, museums, social media, and theatre. We are accustomed to believing that learning about something means that we understand it—that if we have heard a story, we can somehow claim to know it. But what happens when we confront the limits of that understanding? What responsibility do we have when we choose to tell a story that is not ours?
Perhaps understanding does not begin with knowing. Per-haps it begins with acknowledging how much we do not know.
Drury has said that she hopes audiences can “empathize together in a room.” That is what I hope we can do tonight. Sit together in the humor, uncertainty, discomfort, and humanity of trying to understand something beyond our-selves.
So, as you watch, I invite you to laugh when it is funny. Stay with the discomfort when it comes. Question the actors.
Question the choices we have made as artists. And, perhaps most importantly, question what responsibilities we have when telling stories—especially histories shaped by unequal power, where the voices preserved in the historical record are not always the voices of those who lived them.
It is an honor and a privilege to welcome you to We Are Proud to Present… at UAB Theatre. Thank you for being here, for witnessing this with us, and for entering this rehearsal room with an open mind and a willingness to listen.
- Mona Eldahshoury, Director
Dramaturgical Notes
When I first encountered Jackie Sibblies Drury’s We Are Proud to Present…, I was immediately struck by its inventive manner of negotiating historical memory, empathy, and representation. I saw it as a disruptive piece of meta-theatre (theatre which comments on theatre), which is devoted to American History and the effects that a colonial archive has on our lives and relationships with each other. Producing this play right here in Birmingham felt necessary. Birmingham is a city whose own physical and cultural landscape is intimately linked with Civil Rights history and this country’s ongoing dialogue about race.
My research began with the atrocity which the actors struggle to describe: the genocide of the local tribes in what was known as German Southwest Africa. As the play suggests, much of the historical record of these events are written by European powers, the very powers which carved up the continent of Africa. The powers who viewed not only land and materials as resources to be discovered, developed, and exported, but human beings as commodities as well. I was lucky to be able to find a 1966 book entitled Let Us Die Fighting: The struggle of the Herero and Nama against German imperialism (1884–1915) by German Historian Horst Deschler. This is considered to be the first book to document the brutal treatment and murder of the Herero and other tribes and call it a genocide. It took into account sources beyond the German or British archives and included voices from those who were there, the tribes themselves. This was in invaluable resource when researching what actually took place in Southwest Africa between in the 19th and early 20th centuries. Learning what actually happened highlighted the cracks in the actors’ story of the Herero, giving way to new questions about what it means to tell a story. As a small example, the Germans never erected a wall to keep the Herero in the Omaheke Desert. What does it mean that the actors created this historical fact? What does it say about the presumptions they are making? What does it mean to project this onto the story of the Herero?
I also examined America’s history of racial violence. Using re-ports from the Equal Justice Initiative, I created a comprehensive yet broad overview of institutional, legal, and social changes regarding racial dynamics within the United States of America. Examining the backdrop of our own culture and national narratives allow us to understand where these actors are coming from.
Our cast of student artists approached Drury’s text with bravery and care. Our rehearsal prioritized vulnerability, mutual trust, and open dialogue. Drury’s script intentionally breaks a conventional theatrical experience and refuses to give the audience and actors a neat, comfortable curtain call. Instead, the play invites everyone in this room to move from passive spectators to active participants. The play asks us to be earnest, honest, and responsible. It asks us to reflect on ourselves and our own treatment of history. We hope tonight’s performance serves as an open door and invites our Birmingham communities to engage in conversations about history, authority, and empathy long after the house lights come up.
- Andrew Gleason, Dramaturg
Cast

Kazarious Brown

Lily Faith Cameron

Andrew Gleason

Arianna Mendoza-Corona

Isabella Newton

Jared Owens

Kimahri Sanders

Sarah Thiel

Patrick Eamon Wilson
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UAB Theatre Staff
Production Manager: Therrin J. Eber
Technical Director: Jennifer Glass
Assistant Technical Director: Jonathan Harder
Costume Director: Amy Page
Costume Studio Supervisor: Sharon McCoy Morgan
Stage Electrics Coordinator: David Page
Properties Master: Inji Ha
Media Relations: Shannon Thomason
ASC House Management: Terrie Entrup, Summer Guffey
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Production Staff
Assistant Stage Managers: Samantha Adkins, Brook Powell
Scenic Construction: Samantha Adkins, Hayden Bullard, Emma Cabrales, Ryan Chalmers, Kir Emakov, Chloe Ellis, Andrew Gleason, Madison Halloway, Leah Harris, Perry Hazelwood, Jenny Howell, Yahni Jemison, AJ Jenkins, Meredith Kardell, Judah Lathem, Alex Mercado, Sanjiya Parker, Lauren Parrish, Stella Shipman, Monica Velma
Electrics: Ryder Dean, Grayson Farr, James Taylor, Patrick Wilson
Properties Construction: Sophia Evangelidis, Brook Powell
Case Warner Lead Carpenters: Ryan Chalmers, Lauren Parrish
Scenic Charge: Alexis Reeves
Student Paint Lead: Jenny Howell
Scenery/Properties Running Crew: Andrew Logan Tumlin
Costume Construction: Zion Carmichael, Ryan Chalmers, Camille Coco, Katelyn Douglas, Jack Fortner, Jordan Foster, Brenn Foy, Apollo Gibson, Katelyn Gottleib, Dana Guajardo, Dante Hall, Emery Hammer, Cory Hogeland, Jenny Howell, Aurkheem Jolley, Key Lewis-Sayles, Arianna Mendoza-Corona, Aidyn Mohr, Miller Morgan, Myah Motton, Robert Oakley, Cadence Parson, Amy Potts, Elana Santini, Irina Seale, Jaden Scherrer, Case Warner, Matthew White, Jaida Zeigler
Dressers: Cheslee Duke, Leah Harris
Assistant to the Lighting Designer & Light and Sound Boards Operator: Red Zellner
Graphic Design: Michael Vizzina Design
Promotional Photography: Taylor Campbell Photography
Fight Captain: Patrick Eamon Wilson
Intimacy Captain: Sarah Thiel
Music Captain: Andrew Gleason
Production Biographies
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Samantha Adkins - Assistant Stage Manager
Samantha is excited to be stage managing at UAB for the first time. As a sophomore Theatre Major with a concentration in Design & Technology, she has participated in eleven shows since discovering her passion for technical theatre in high school, and she especially enjoys scenic construction and sound design. Samantha would like to thank her par-ents and her cat, Wyla, for supporting her throughout her theatre journey.
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Ola Ajigbeda - Assistant to the Director
Ola is from Birmingham, Alabama and currently a junior at UAB majoring in general theater! Ola did theater for 4 years in high school starring in shows like Clue, Law & Order Fairytale Unit, and more.
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Kazarious Brown - Actor 4
Kazarious is thrilled to make his debut on the UAB stage. He is a senior majoring in Theatre. He has performed in many shows in his hometown Tuscaloosa, Alabama. A few Past Credits include: Beadle Bamford in Sweeney Todd, TJ in Sister Act, Medda Larkin in Newsies, and Booker T. Washington in Ragtime. He is also a former member of the Board of Directors for Theatre Tuscaloosa. Kazarious thanks his family and friends for their support!
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Lily Faith Cameron - Actor 2
Lily is a senior studying musical theatre here at UAB. Lily spent this past summer performing at the Woodstock Playhouse. She has most enjoyed being a part of Newsies (Medda Larkin, Woodstock Playhouse), The Wiz (Ensemble, Red Mountain Theatre), Crazy For You (Louise, Woodstock Playhouse) Hello Summer! (Skylar, Idlewild & Soakzone) and Summer: The Donna Summer Musical (Duckling Donna, Red Mountain Theatre). Lily is thankful for her family and friends’ support, encouragement, and assurance that she is not on this journey alone.
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Alexander DeWolfe - Stage Manager
From Hoover High School. Senior BA in General Theatre, Minoring in Chemistry and Psychology. ASM - Dead Man’s Cellphone. SM - Don’t Ask, and now WAPTP. Likes D&D.
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Katelyn Douglas - Assistant to the Director
Katelyn is a sophomore Theatre Performance Major (BA). We Are Proud is my second production at UAB. For her first production, Katelyn was on the run crew for Don’t Ask. Her pre-college background is in both theatre and dance. Her more notable credits include the Nutcracker, Cinderella the ballet, dancing at halftime for the Harlem Globetrotters, and The Wizard of Oz presented by the ACT Louisville Productions.
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Cheslee Duke - Dresser
Cheslee is a musical theatre BFA student from Munford, AL. Her performance credit include: Don’t Ask (UAB), Freaky Friday (Red Mountain), Natasha, Pierre and the Great Comet of 1812 (UAB), Lizzie: The Musical (ACT/Birmingham Festival Theatre), Romeo and Juliet (The Shakespeare Project).
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Therrin J. Eber - Lighting Design / Production Manager
Therrin holds an M.F.A. in Scenic and Lighting Design from the University of Alabama and a B.A. in Theatre Design & Technology, and Directing from Purdue University Fort Wayne. Therrin’s design work has been seen across the country, including Off-Broadway at New York City Center, the Hawaii Performing Arts Festival, Opera Louisiana, Druid City Opera, Theatre Tuscaloosa, the Athenaeum Center in Chicago, and many other venues. Selected credits include Machinal Off-Broadway; Pagliacci, Madama Butterfly, Amahl and the Night Visitors, and The Barber of Seville (Opera Louisiane); Ragtime, Anything Goes, Anastasia, and Big Fish (Theatre Tuscaloosa); Murder on the Orient Express, Cabaret, Freaky Friday, The Two Gentlemen of Verona, and Dead Man’s Cell Phone (UAB); and Carousel, Rise, A.E. Reverie, The 25th Annual Putnam County Spelling Bee (Hawaii Performing Arts Festival). His concert and event work include artists such as Béla Fleck, The Temptations, The Four Tops, and David Crosby. See more of his work at Mona Eldahshoury - Director
Mona is a North African performer and theatre practitioner currently serving as an Assistant Professor of Acting and Theatre at UAB. Her career spans Michigan State University, Berklee Abu Dhabi, and the American University of Sharjah. Previous theatrical credits include Much Ado About Nothing, Penelopiad, Hit the Wall, Predictor, and Charlotte’s Web.
- Jennifer Glass - Technical Director
Jennifer is an Alabama theatre artist from Demopolis, Alabama. She earned her BS in Interdisciplinary Arts (Music/Theatre) from the University of West Alabama and her MFA in Scenic Design and Technol-ogy from the University of Southern Mississippi. Jennifer has previously served as the Technical Director at Birmingham-Southern College, and most recently as the Technical Director at Troy University. Her work has also previously been included with USITT, SETC, and ACTF. Jennifer’s design credits include Don’t Tell Me I Can’t Fly, She Kills Monsters, and Hedda Gabler. Her Technical Direction credits include Something Rotten, Twelfth Night, and Into the Woods.
- Andrew Gleason - Actor 3 / Dramaturg / Music Captain
Andrew Gleason is a senior. Prior to returning to school, he worked as an improv instructor and stand up comedian in North Carolina. His acting credits include: film: Reptchild (Gillworks Productions), Uncomfy Comedians (Expressart Films). Stage: Comedy Cabal Revue (People’s Improv Theatre).
- Leah Harris - Dresser
Leah is excited to get the opportunity to work with many friends and mentors she has met at UAB. She just finished performing as Trudy, a German secretary in Elvis has Left the Building at ACTA Theater in Trussville. She is excited to work on another UAB show after working as a member of the run crew during Murder on the Orient Express last semester.
- Arianna Mendoza-Corona - Actor 5
Arianna has been in multiple productions at UAB: Dead Man’s Cellphone, Murder on the Orient Express, and the touring production of Red Flags. She is a big lover of theatre for social change and is so grateful to be in this production.
- Sharon McCoy Morgan - Costume Studio Supervisor & Cutter/ Draper
Sharon brings decades of national theatrical and film expertise to the role. A graduate of Jacksonville State University, Sharon earned her MFA from the University of Alabama before launching a career at premier regional theaters across the country, including three seasons with the Tony Award-winning Utah Shakespeare Festival. Her design credits span the continent, reaching from the Sitka Fine Arts Musical Theatre Camp in Alaska to Birmingham’s own Virginia Samford Theatre. Sharon is the owner of the internationally recognized Altered Tyme Corsets and an independent contractor for San Francisco-based Romantasy Corsets, the nation’s oldest modern custom corset business. As a member of IATSE Local 479, Sharon is a sought-after tailor and pattern maker in Atlanta’s busy film industry. Her screen credits include major productions for Marvel, Disney, Warner Bros., and other leading studios, where she crafts everything from intricate period garments to iconic superhero suits.
- Isabella Newton - Actor 6
Isabella is a sophomore at the University of Alabama at Birmingham double majoring in Theatre and English Literature. In February 2026, Isabella became the American College Theater Festival Playwriting national finalist for her play Little Stars Everywhere. Her recent performance credits include She Kills Monsters (Farrah the Faerie) and Macbitches (Hailey Hudson).
- Jared Owens - Actor 1
Jared is a senior, BA performance at UAB. This is his third production with UAB theatre. Some past productions include Dead Man’s Cellphone as Dwight understudy, Don’t Ask as Dave/Ensemble, and is also currently involved in the Red Flags touring show.
- Amy Page - Costume Director
B.A., Winthrop University, Theatre Education. MFA, University of North Carolina at Chapel Hill, Costume Production. Amy is originally from Columbia, SC, and has worked professionally in New York, New Jersey, the Carolinas, and New Mexico. She served as a Draper for Playmakers Repertory Company and Carolina Ballet on productions of Amadeus, Pride and Prejudice, The Importance of Being Earnest, Nicholas Nickleby, and Macbeth. She worked professionally in the area of costume construction with the Shakespeare Theatre of New Jersey, Children’s Theatre of Charlotte, Actor’s Theatre of Charlotte, Carolina.
- David Page - Sound Designer
David is an award winning Lighting Designer and multi-disciplinary Creative Artist with 25 years of experience in the theatre and over 100 design credits throughout the course of his career. He holds a Master of Fine Arts from The University of Alabama and currently serves as the Head Electrician for the Department of Theatre as well as the Production Manager for Alabama Ballet. His extremely versatile experience includes a unique blend of design, programming, and technical expertise that spans across the country, including regional theatre, summerstock, concert venues, arenas, universities, Off-Broadway, and Broadway productions.
- Santiago Sosa - Voice and Text Coach & Fight Choreographer
Santiago is an Assistant Professor of Voice and Movement at the University of Alabama - Birmingham. When not teaching, Santiago works, around the country, as a voice and text coach, a dialect designer, director, fight director, and a voiceover artist. On and off stage credits include: American Players Theatre, New York Theatre Company, Ore-gon Shakes, Illinois Shakes, Great River Shakes, Alabama Shakes, Island Shakes, Door Shakes, Nashville Shakes, Pennsylvania Shakes, Shakespeare at Sloss, Shakespeare Rep SC, Writers Theatre, Red Mountain Theater, Kansas City Rep, Kansas City Actors Theatre, Forward Theater, Definition Theatre and Nashville Rep. Training: BFA Texas State University, MFA University of Wisconsin.
- Sarah Thiel - Wunderstudy - Actor 5 / Intimacy Captain
Sarah is a BA Performance major at UAB with a passion for storytelling and a love for the never-ending ways that theatre inspires creativity in all. Her recent credits include Mermaid in Big Fish and Miranda in Return to the Forbidden Planet, with previous roles as Masha in Young Frankenstein and Dunya in Anastasia. Sarah is honored to be part of UAB’s 2026–2027 touring production of Red Flags, an applied theatre production that uses storytelling and performance to educate young people about domestic violence, healthy relationships, and the warning signs of abuse. She is passionate about education and creating work that sparks conversation, builds connection, and leaves audiences with something to carry with them in their own lives.
- Andrew Logan Tumlin - Running Crew/Props
Andrew is a high school graduate, Phi Theta Kappa Honors member, has an Associate of Science from Jefferson State Community College, and is working to get a Bachelors of Arts degree. Andrew has taken Scenery and Lighting and worked on “Great Comet” and “God of Carnage”.
- Patrick Eamon Wilson - Actor 1/Fight Captain
Patrick is a senior theater studies major here in The Department of Theatre. He has recently appeared in department shows such as the “Red Flag Tour,” “Don’t Ask,” and Dead Man’s Cellphone. Outside of UAB he can be found on the stages of various local theatrical and musical spaces. His personal mantra is simply: “Keep Climbing”. Red Zellner - Assistant to the Lighting Designer & Light Board Operator Red is a freshman tech and design student. This is the first show he is able to participate in at UAB and he is so excited! After working on sets and lighting designs in many high school productions he is ecstatic to begin learning and working on a more professional level.
- Inji Ha - Scenic Designer / Properties Designer
Inji is a scenic and properties designer and artist originally from Korea and currently based in Alabama, where she works as a properties and scenic designer at the University of Alabama at Birmingham.
Recent credits include Dead Man’s Cell Phone (UAB), GUT (굿) ACT 2: Memoirs (HERE Arts Center), Violet the Musical (Auburn University), She Kills Monsters (UAB), and The 39 Steps (UAB). Her work spans scenic, projection, and properties design across theatre, musical, opera, and installation, with an interest in collaborative, immersive, and story-driven performance. Inji holds an MFA in Live Design and Production from The University of Texas at Austin and a BFA in Theatre Design and Technology from Auburn University. More at injihadesignstudio.com Link opens in a new window..
Director's Special Thanks
Jennifer Taylor, EJI, Institute for Human Rights at UAB, Ash Thiel, Dr. Megan Lewis, Professor Therrin Eber, Karla Koskinen
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