Five professional musicians (three pianists and two guitarists) with long-standing symptoms were studied; they had previously received several treatments without success. The current therapy involved immobilisation by splint(s) of one or more of the digits other than the focal dystonic finger. The focal dystonic finger was required to carry out repetitive exercises in coordination with one or more of the other digits for 1.5-2.5 h daily (depending on patient fatigue) over a period of 8 consecutive days under therapist supervision. The patients subsequently continued practising the exercises with the splint for 1 h a day at home in combination with progressively longer periods of repertoire practice without the splint. Patient status was quantified with two measurement instruments: a dexterity/displacement device which continuously recorded digital displacement during metronome-paced movements of two fingers (spectral analysis of the records provided information concerning the smoothness of the movements before, during, and after training); and a dystonia evaluation scale (DES) in which the patients rated how well they were performing (without the splint) movement sequences and passages from their repertoire that had tended to generate dystonic movements in the past.
All patients showed improvement without the splint at the end of treatment. The DES scores are given in * Figure 1*. The ratings on the scale range from: 0=dystonia as bad as at its worst, 1=slightly improved, 2=moderately improved, 3=almost normal, and 4=normal. A one-way analysis of variance followed by post-hoc Scheffe tests revealed that pretreatment scores were different from post-treatment (t[4]=5.2, p<0.01) and 1-month follow-up (t[4]=7.2, p<0.01) scores. The results on the DES were
confirmed by the clinical evaluation of the treating neurologist and by the findings from the dexterity/displacement device obtained in the laboratory. The spectral power of the movements of the fingers of the dystonic hand in the band of the paced frequency showed an increase in the smoothness of those movements after treatment (p<0.01). After treatment, the one patient who was non-compliant regressed after 9 months; three patients showed additional improvement into the normal or almost normal range; and one showed no reduction in a substantial therapeutic effect. Two of the musicians have resumed concert performances.
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*Figure 1. DES scores before and after treatment in five patients*
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